Archive for the 'Links' Category

Knowing the Formula

Writing advice will often tell you that you have to know the formula in order to break it. Nothing makes that rule clearer than comedy does.

As I mentioned last Thursday on National Grammar Day, without an appreciation for the rules of Grammar, we wouldn’t have the basic framework to understand why LOLcats and Oddly Specific signs are funny.

Sometimes the humor isn’t in twisting “the formula”, it’s in exposing it… as in these examples, presented for your viewing and listening pleasure. Enjoy!

* Tribune’s banned words, all in one sentence.

* The definitive Academy Award Winning Movie Trailer. (youtube link. requires sound.)

* The definitive boy band song: Title of the Song by Da Vinci’s Notebook. (requires sound. Yes… as songs often do! *cough*) If you like their music, please consider purchasing it.

(Part of Da Vinci’s Notebook tours these days as Paul and Storm. Insert gratuitous plug here. They’re worth catching, if you get a chance!)

* And The Onion reports: Nation Shudders at Large Block of Text. WASHINGTON—Unable to rest their eyes on a colorful photograph or boldface heading that could be easily skimmed and forgotten about, Americans collectively recoiled Monday when confronted with a solid block of uninterrupted text. (click link for the rest of the story!)

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Because the answer can be no

Have you ever wondered what would happen if you found out that you were a wizard?

What about if you learned that the evil overlord was actually your father?

Have you ever thought about leaving everything you know behind and going out into space to search for alien races and cultures?

Have you ever wondered what would happen if you sent a query that started with a sentence like the ones above, and the agent/editor’s answer was no?

It happens more often than not.

At BookEnds, Agent Jessica Faust concludes that if her answer is no, she knows she isn’t going to be interested in what the book is about and doesn’t have to read any further.

Agent Nathan Bransford calls rhetorical questions “a powerful force for evil.”

And Book Bark demonstrates how rhetorical questions could ruin even Harry Potter’s chances:

Imagine what it might be like to live in a closet beneath the stairs and be treated like a second rate citizen by your only family. What if all that changed and you were suddenly thrown into a fantastic world of witchcraft and oddities? What if you were the hero of this world? How would it change you? And what if, overnight, you learned that you had a powerful mortal enemy plotting your destruction?

Many agents and editors don’t like rhetorical questions because they reflect laziness: they beg the reader to do all the thinking and imagining, instead of actively creating a hook to draw the reader in.

Rhetorical questions can also lead people in the wrong direction: instead of thinking about your hook, your question may lead our own imaginations somewhere else entirely. That creates more work for you — now you have to reel us back from wherever your question has taken us before you can even start getting us interested in where you intended it to go.

What if we liked our answer better? Oops!

Don’t ask us (the editors, agents, and even the readers) what we think would happen, tell us what happens and show us what makes your treatment of what could happen different and better than anyone else’s.

While some agents and editors are indifferent to the rhetorical question, so many hate it vehemently that it’s a very risky tactic to use. Unless you know the person you’re querying and you know that they’re receptive to it, I recommend not taking the chance. Don’t ever leave the “Do you wonder…?” question open, when the answer could well be no… or worse.

Since ridicule is often the best medicine, if none of these other experts and professionals have convinced you to avoid the dreaded rhetorical question, visit The Rejectionist, where rhetorical questions receive the answers for which they beg. Don’t query with rhetorical questions — don’t let this happen to you.

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The Boom Effect

The Boom Effect is an auction to raise money for the trust fund for Tee Morris’s daughter, who bears the affectionate online pseudonym “Sonic Boom.” SB recently lost her mother, and the podcasting and writing community has come together to help Tee afford her final costs, and now to help to secure SB’s future.

Podcasters, writers, crafters, artists, musicians and more are offering their goods and services for an online auction on February 27th. You can subscribe to the blog’s RSS feed to stay in the loop, and follow @theboomeffect on Twitter.

For my part, I’m offering up Item SB008: Professionally Edited Short Story.

To the winning bidder, I will give a choice:

If you’re an aspiring writer of short fiction, you can get a free professional edit on one short story under 7,000 words. This will include proofreading and copyediting in the form of a red-lined and commented .doc file, and a consultation, if warranted, discussing the strengths and weaknesses of the manuscript, with my professional recommendations.

For the long-form fiction writer, I’m offering another valuable service: The same full treatment, but for a query letter. I’ll use my other hat as Editor-in-Charge at Dragon Moon Press and my personal experience receiving queries and submissions, and work with you to structure and polish your query to give your manuscript the best possible chance, no matter where you choose to send it.

There are a lot of tempting one-of-a-kind items already up for bid, and more are still being added. Please give the auction a look and consider bidding and lending your support.

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Query Critiques

An excellent manuscript will outshine a not-so-great query letter, but your query is still your first chance to make a good impression so it should be as polished and compelling as it can be.

I’ve offered a lot of advice on querying on this blog, and will continue to do so. Demonstration is a helpful means of education too, so I had thought about writing up a sample query letter that does all of the things I recommend and none of the things I warn against. Instead, I’m going to direct you to two other sites with examples that I think are very clear and helpful.

Editor Cheryl Klein annotates a query letter that worked for her, highlighting all the bits that made her happy.

Now, to see the process that gets a query to that sweet spot, head over to Ulysses, who won a contest to have his query critiqued by The Rejectionist. This is also a great peek into how the person reading your query letter thinks. Highly recommended.

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Have a picture of a cat.

There’s nothing I can say today. Instead, I turn to our friends at I Can Has Cheezburger:

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Urban Fantasy, Podcasting, and Rhetorical Questions

…and more!

Kimi Alexandre of the urban fantasy Tale Chasing podcast put up a great interview with Laurie McLean, an agent with Larsen-Pomada Literary Agents.

Kimi asks some great questions, and Laurie shares a wealth of knowledge on a range of topics, including the definitions of urban fantasy and its sub-genres, how the bestseller lists really work, how and why podcasting affects your chances with traditional publishers, and what she does and doesn’t like to see in a submission from a prospective client.

Go here to give it a listen!

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World Fantasy Convention

This weekend, I’ll be attending the World Fantasy Convention in San Jose, CA. If you’re going to be there and would like to say, please feel free to drop me a line. A comment or a note through the “contact me” page will get to me, and I’m @gabrielle_h on Twitter.

I’m not currently scheduled for programming, but you’ll be able to catch me at Philippa Ballantine’s reading at 10:00 on Saturday in the Garden Room.

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Behind the Scenes, Part 1

Last month, I got a chance to sit down with author PG Holyfield and talk on the record about the editorial process. At the time, I was halfway through my first pass on his novel Murder at Avedon Hill, forthcoming with Dragon Moon Press, so it was great to actually meet the author and talk to him in person about writing, editing, publishing, the technical differences between writing for podcast and for print, what an editor does, and the specific issues we’re encountering in the process of working on his book.

It was a fun interview; as convenient as e-mail is, it’s always nice to get a chance to meet a colleague and talk about all that stuff in person. You don’t need to be familiar with his work for the interview to make sense, and I think offers a great example of the editorial process and the rapport that develops: we’re both on the same team, working to make the book the best it can be.

Take a listen to the first segment of our Behind the Scenes interview, and enjoy! I’ll be addressing some of the points from the interview in future posts.

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My Fiction Debut

Writing for PG Holyfield’s Tales of the Children podcast anthology was a great experience, as I’ve mentioned in a previous post.

Hearing my words come to life is a great experience, too!

Tales of the Children: Episode 1 released this past Friday, featuring my story “Swimming Lessons”. It’s about a thirty minute file (the story itself reads about twenty minutes long), and I hope you’ll go to PG’s site and take a listen.

While you’re there, subscribe to the RSS feed so that you won’t miss future installments. The Land of Caern, home of PG’s debut novel Murder at Avedon Hill, is a rich and intriguing world, and the Tales of the Children anthology is a series of companion stories from some great authors.

The Parsec-nominated podcast novel Murder at Avedon Hill is available at PG Holyfield’s website and at Podiobooks.com. The print edition is forthcoming from Dragon Moon Press.

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Plugs of the Day

Today’s plug is for Booksellers Blog. If you’re in writing, editing or the publishing industry at large, it’s an excellent resource.

While geared toward independent booksellers, it’s full of advice that applies to one-person businesses like freelancers and authors. Recent posts cover themes like improving your professional blog, boosting your online presence, and using Twitter to your advantage.

And speaking of Twitter, I’d also like to plug Brian Rathbone’s List of Fantasy Authors, Writers and Professionals on Twitter and Bookmarket.com’s List of Independent Bookstores on Twitter, just as a sample of the sorts of resources that are out there.

Some regions maintain their own local (and possibly more comprehensive) lists of independent bookstores, too. NYC and Northern California are two examples.

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