Tag Archive for 'conventions'

My Dragon*Con schedule

I’ve got a light schedule… which is good, because Dragon*Con is full of things to do and people to see! You can catch up with me at:

SAT Sept 4, HILTON 204, 10:00 AM
Podcasting Authors Roundtable.
Join a roundtable discussion of working writers who utilize podcasting to distribute and promote their work.
Panelists: Scott Sigler, Gail Z. Martin, Michael A. Stackpole, Christiana Ellis, P.G. Holyfield, Gabrielle Harbowy

SAT Sept 4, HYATT Regency V Ballroom, 4:00 PM
5th Annual Parsec Awards
The Parsec Awards recognize excellence in Speculative Fiction Podcasting

Or drop me a line on Twitter or via the contact tab above.

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Destiny’s Blood

DESTINY’S BLOOD by Marie Bilodeau (Dragon Moon Press, 2010) is now available from Barnes&Noble.com.

Marie will be officially launching the novel at CAN•CON (Ottawa, Aug 20-22), where she is guest of honor.

Destiny's Blood

Layela Delamores wants nothing more than to settle into a quiet, peaceful life, running a small flower shop with her twin sister, Yoma. But Layela is tormented each night by terrifying visions that she cannot remember when she wakes. When Yoma vanishes, Layela is certain that her nightly visions hold the key – but only her sister’s thieving friend, one of the last survivors of the ether races, can unlock them. Layela suspects that her friend isn’t telling her the whole truth, instead sheltering her from her own visions.

Ripped from the safety of her flower shop into a universe of smugglers and assassins, Layela must pursue her sister across space in a desperate bid to overcome the destiny of destruction foretold in her dreams.

But without full knowledge of her visions, Layela has no way to prevent them from coming to pass. And the fate of a whole world is on the line: the mythical First Star is on a path to self-destruction and the annihilation of all life. Unless Layela finds a way to stop it.

But to stop it would mean sacrificing her sister. Or herself.

Marie Bilodeau loves to make things up, which is why she’s both a performing storyteller and an author. She’s performed in bars, pubs and tea shops across most of Canada, telling modernized fairy tales, myths, and stories of nuns scratching her butt. To breathe new life into her tales and increase their audience, she’s also morphed some of her stories into podcasts. Her published works include a fantasy trilogy, the Heirs of a Broken Land series, and the space fantasy novel, Destiny’s Blood. Her short fiction has also appeared in anthologies and magazines. For more information on Marie and to check out what’s next, go to www.mariebilodeau.com.

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2010 Parsec Finalists

The 2010 Parsec Award Finalists have been announced, and I’m quite pleased to see my story “Swimming Lessons” from P.G. Holyfield’s Tales of the Children anthology listed in the Best Speculative Fiction Story (Short Form) category!

I’m up against some serious competition. It’s an honor to even be nominated alongside writers like Peter Watts, Mike Resnick, Scott Sigler and Tim Pratt.

Congrats, also, to all the rest of this year’s nominees!

The Parsec Award ceremony will be held at DragonCon on Saturday, September 4 at 4 PM in the Hyatt’s Regency V Ballroom.

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Round-up

It’s been a busy couple of weeks!

  • I went to Ad Astra and had a wonderful time! I staffed a Dragon Moon Press table with Erik Buchanan and Chris Jackson – a couple of really great people. I spoke on four panels, we had a very successful launch (click for pictures) for Erik’s new book Cold Magics, I met even more great people, snuck in some quality time, shook hands on a couple of exciting upcoming projects, and even remembered to sleep now and then.
  • I’m now on the editorial staff of Lambda Literary, and proud to have my name in very distinguished company on their masthead.
  • Ace Books has set a release date of October 26, 2010 for Geist by Philippa Ballantine.
  • Parsec Award nominations are now open. The Parsecs recognize excellence in speculative fiction podcasting. Go and nominate your favorite podcasts.
  • I got to spend time with the fantastic Phil Rossi and his family. We put in good work on a couple of strong projects, and had a great time at it. Phil has some sort of aura that increases the alcohol tolerance of the people around him. I’m not sure about this; I think I have to do more research. You should definitely give it a try for yourself if you get a chance.
  • On a personal note, I got to attend my grandmother’s 100th birthday party yesterday. It was, without a doubt, the best 100th birthday party I’ve ever been to! My grandmother is an incredible lady, sharp and bright and funny, always happy and positive. She’s already reserved the date for the party for her 105th, and it’s on my calendar now, too.
  • I’m anticipating the release of Dragon Moon’s podcast anthology (you can join the Facebook fan page in the meantime!) and putting the finishing touches on P.G. Holyfield’s Murder at Avedon Hill for its May release (click for a peek at yet another great cover by Alex White).
  • J. Daniel Sawyer’s podcast Down From Ten wrapped up this week. You can catch my voice in the “story so far” segment for episode 24. Dan’s full-cast productions are first rate, and the voice actors are all extremely talented and perfectly cast. This is a gripping character-driven mystery that’s definitely worth a listen. It’s available on itunes, or at downfromten.jdsawyer.net.
  • JM Frey has adapted Adrienne Kress’s book Alex and the Ironic Gentleman for the stage, and Adrienne blogs about her visit to Quaker Road School’s production.
  • I’ll be appearing live on Blog Talk Radio on April 29th at 6pm Pacific time, talking to the podioracket folks about Dragon Moon Press, how to get published, and whatever else you ask me!

Busy times! It’s been a month of great developments, with lots more good things in the works.

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Ad Astra 2010 – Schedule

Ad Astra is going to keep my on my toes this year!

I’m especially thrilled to see other people interested in speaking on the verbal/written dichotomy. Working with the novels of so many podcasters, it’s become a strong interest of mine.

I note that Dragon Moon Press dominates the “working with a small press” panel this year, and that Erik Buchanan and I will get a chance to heckle each other publicly about the editing of his books on the “editing your own work” panel. Should be a great time!

The schedule is subject to change, but for now here’s where to find me (and some of the other usual suspects!):

Fri 8:00 PM Salon 443 — Podcast vs. Print
Gabrielle Harbowy, Justine Lewkowicz, Herb Kauderer
We respond differently to the spoken word than we do to the printed page. What are the differences that authors need to keep in mind between writing for podcasts and writing for print?

Fri 9:00 PM Ballr. East — Working with Smaller Presses
Gabrielle Harbowy, Chris A. Jackson, Brett Alexander Savory, Derwin Mak, Erik Buchanan
Is a smaller press the right choice for you? How does a small press work? How can you find them? Panelists will discuss the benefits and drawbacks of working with a smaller press.

Sat 11:00 AM Ballr. East — Editing Your Own Work
Gabrielle Harbowy, Rick Wilber, Jana Paniccia, Erik Buchanan
Authors and editors share tips on how to spot the problems that are so easy to miss in your own work, how to add a bit more polish to your writing, and how to prepare your draft so that editing goes as smoothly as possible.

Sat 3:00 PM Salon 443 — Beyond Wikipedia
Gabrielle Harbowy, Douglas Smith, Karin Lowachee, Bob Boyczuk, Justine Lewkowicz
Research techniques and pitfalls for writers. How do you know whether the information on the internet is accurate? What are your best reference sources, when are books better than the internet, and when (and how!) do you talk to an expert?

Sat 10:00 PM ConSuite — Cold Magics Launch (to 1am)

Sun 1:00 PM Ballr. East — An Editor’s Dream
Gabrielle Harbowy, Brett Alexander Savory, Jana Paniccia, Eric Choi, Robert Pincombe
Learn the characteristics that editors appreciate in an author.

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Your Five Minutes Start… Now!

Thanks to the wonderful Laurie McLean and the rest of the Larsen-Pomada Literary Agency, I had the fortune to spend my weekend at the San Francisco Writers Conference as an independent editor. For two days, my job was to advise writers in one-on-one sessions.

The catch? The sessions were only five minutes long.

Sign-up sheets were posted with each editor’s name and genre, and each attendee could sign up for a session with the editor of their choice. They could use the time to get a critique on their pitch, to get a critique on their first page, to ask questions… however they wanted to make the best use of their time.

For an extra $50, attendees could register for Sunday’s “speed-dating with the agents” session. That meant that their pitches had to be as refined as possible before Sunday. The five-minute sessions on Friday and Saturday were largely preparation for that. Writers had five minutes with us, but they only had three minutes with each agent. With just three minutes to get someone hooked, every moment counts.

I spoke with about twenty writers on Friday, and about thirty on Saturday. It was a whirlwind. It was dizzying. It was also incredibly rewarding.

I was the first editor to arrive, being the compulsively early type that I am, so I staked out the window table with the great view. It also happened to be the table in direct view of the door. My sign-in sheet said “YA, Fantasy, SF” but I also ended up speaking to writers of women’s lit, literary fiction, children’s fiction, short fiction, non-fiction essays… and each session was equally constructive, regardless of genre.

I could tell you fifty stories, one from each of those fifty quick sessions, and about forty of them would involve that amazing click of pieces falling into place. Some of them would involve even more rewarding epiphanies. A few might make their way into future blog posts (with the writers’ permissions), so stay tuned.

Most of the writers wanted to refine their pitches. Some of them had something already written and just needed feedback and a couple of word-choice recommendations. Some of them spent two or three minutes telling me what they had written about, in rambling, meandering language, and then I helped them pull out the most important points from what they’d just said. Three-minute explanations were quickly honed into thirty-second pitches: intriguing ideas expressed with powerful, evocative words.

A woman who sat down with a concern about how to market a collection of short stories with no cohesive theme, stood up five minutes later awed by the realization that there had been a linking thread between her stories all along — and a strong, intriguing one, at that.

Some of the writers wanted to know which genre or market I thought their manuscripts would best fit. Many asked me about the difference between middle grade and young adult. I drew heavily on this post by author Adrienne Kress, recommended reading for anyone else who might be curious about the answer.

For questions about the other edge of YA, I found myself referring writers to Scholastic’s Push imprint. Push prints some of the edgiest YA I’ve read — harsh, gritty, unapologetic and real. Murder, drug use, homelessness, pyromania, self-injury, sexual abuse… If you want to see how rough YA can get, read a few Push novels. I personally recommend starting with anything by my former colleague Brian James (gratuitous link to a review of his book DIRTY LIAR) and going from there.

Many asked me if I thought their concepts were viable. If the ideas sounded like a tough sell, we discussed how to slant the pitch or revise the content to make it more compelling.

I critiqued several first pages. I pointed out improbable simultaneous action, awkward dialogue, shifting perspective, punctuation, grammar and spelling issues; I discussed character voice, tone, age-appropriate vocabulary levels and whether the first line and choice of opening scene were compelling.

I discussed the “rules” of writing and when — and how — it’s acceptable to break them.

I loved the challenge of it, and the thrill of each success. But the real reward was the feedback. It felt great to be able to provide so much constructive advice to writers, especially in such a short time, and hear them tell me how helpful our few minutes of conversation had been. They were all so passionate, so focused and so ambitious that their energy was contagious and cumulative. By the end of each day I was exhausted and drained, but I still wanted to do more.

I had Sunday free to wander, so I checked back with some of the writers I’d spoken to. All of them reported nibbles; some reported larger bites. All of them were confident about their pitches and pleased with how the sessions had gone.

If you’re at a stage where you’re ready to show your writing to people in high places, and if you have the financial means to attend, I strongly recommend adding SFWC to your plans for 2011.

In addition to the agent and editor consultations, there are presentations and group sessions on a wide range of helpful topics. There are amazing networking opportunities and there’s time to explore some of the beauty and history of San Francisco. Space is limited and the conference sells out quickly, so if it’s the sort of opportunity that you think might benefit you, start thinking about it now.

And don’t think that this is a “mainstream fiction only” sort of event. It isn’t! Fiction, non-fiction, memoir, how-to, travel, romance, fantasy, science fiction, children’s, suspense, poetry… and I know for a fact that SF/F will be even more strongly represented next year. No matter your genre, if you’re ready to be published, there are people here who are ready to meet you.

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SF Writers Conference

I’ve been invited to participate in the San Francisco Writers Conference, February 12-14 in downtown San Francisco.

I’ll be attending as an independent editor, giving one-on-one consultations with writers and participating in an “Ask a pro” session with other editors and agents.

The conference is in its 7th year, and is a great opportunity for writers to meet and network with industry professionals.

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9 Tips for the Novice (Professional) Con-Goer

I had written a post before Anticipation (Worldcon 2009) about being a panelist at a convention, and a couple of people have approached me since about general suggestions for first-time convention attendees.

Most of these suggestions assume that you’re a professional in the field, or an aspiring professional, but I think they can be applied all around.

1. There will always be someone More Important Than You, and More Successful Than You. Don’t be bitter toward these people for having what you want, and don’t cling to them to try to find out their secrets and soak in some of their wisdom or karma. They’re just people, just like we are, and sometimes it’s a relief to them to be treated like normal people. Treat them politely and as equals, and you’ll find that they’ll treat you politely and as equals, back.

2. Most of the people at a smaller, writer-biased convention are there to network, just like you are. If you’re talking to someone and a person you know approaches, don’t just wave or make them wait. If you don’t know for a fact that they know each other, introduce them and include them. Most conventions supply nametags, which make this a simple task. A professional or personal introduction can go a very, very long way. Everyone should do this, and it surprises and upsets me that more people don’t. By introducing people you know from different circles, or introducing people you know to new contacts, you’re spreading the habit and encouraging them to do the same. You’d want that introduction if it was your friend talking to someone cool. Offer them the courtesy, and you’ll be more likely to receive it from them.

3. If you’re representing yourself as a professional, look and act the part. Dress a little better than the average con-goer. It may mean that you don’t get to wear the witty t-shirt or let your cleavage hang out, but if you want to make a professional impression on people, unless those things are part of the persona you’re choosing to adopt, a nice business-casual look might be better suited. A shirt with a collar or a blouse with jeans, or slacks, can still be in a color scheme and style that don’t brand you as a total outsider, while making you look classy. Be conscious of your personal hygiene, too. Don’t torture the person you’re talking to with your garlic breath from lunch! You’ll always end up meeting the person you most want to meet when you’re least prepared to meet them, so I use that as a guide: dress the way you’d want to be dressed to meet that person, at all times.

3a. Take care of yourself. Most conventions are at hotels and convention centers – places surrounded by cheap fast food, expensive fast food, and little else. Stay hydrated, get enough sleep, and remember that caffeine, sugar, alcohol and carbs aren’t the only food groups, even if you do need to range a little further afield, or pay a little more, for the rest. Remember your vegetables and your vitamins, and your body will thank you.

4. Have a business card, a bookmark, some kind of something to hand to people. Carry them in your pocket or somewhere else in convenient reach, in some kind of protected way so that they’re not going to look like they’ve been in your pocket all day, but keep one extra card outside that container and flush to it, so that if you’ve only got a moment, you can hand off a card without having to fumble for it and make someone wait. Some conventions give out badge holders that are designed really nicely for this.

5. The best way to track down someone Important is to look them up in the programming guide, attend their reading, panel, or signing. If it’s a signing, you’ve got a few dedicated moments of their time, but it also brands you as a fan and not an equal. If you hang around after a reading or a panel, they’re in their “on” time then, unlike when they’re heading out for dinner with their friends or family, and they’re probably going to expect to be approached. If they’ve got a time commitment and they have to run off to something else, accept it gracefully. It happens. Otherwise, wait patiently with the other people who are hanging around to have a word with them, introduce yourself and say hello when it’s your turn.

5a. If you’re approaching someone Important as an equal, introduce yourself with your professional credentials, offer them your card if you can, and compliment them on some aspect of the talk they’ve just done. Don’t hand them something to sign. That instantly brands you as a fan. There’s nothing wrong with being a fan, but a fan is not an equal. If you want to be seen as an equal, forego the autograph just this once. The personal connection you could potentially make with them is more important.

6. Time can really get away from you at a convention. Flip through the schedule ahead of time, or in a quiet moment. If there are things you really want to do or see, list them out for yourself and keep aware of your list, or you’ll probably end up missing some of the things you were looking forward to. My list always has a few interesting options, where available, for each time slot. If I end up skipping the ones I’m not as into, that’s fine, but if I find myself at loose ends, or if I’m with a group wondering where to go, I have access to something I think would be interesting, or that features someone I’d like to see, without having to dig through the schedule for it.

7. Talk to strangers. Conventions are great opportunities to meet people with like interests and unexpected connections in common. You will miss out if you don’t network with new people. Even if they aren’t Big Name Important People, they may still have a lot to offer and there’s still potential for a friendship or even a professional opportunity that may surprise you. You never know what someone else does, or who they know! Going to a convention with a group of friends or colleagues is a lot of fun, but step outside your circle, too. Talk to the person next to you in line. Maybe they’ve traveled a long way, or have an interesting story to share. At the very least, it’ll be an engaging way to pass the time.

8. Be very aware of body language. If someone’s eyes start glazing over, if they start looking around and beyond you, or angling themselves away from you, it’s time to thank them gracefully and let them go. It’s uncomfortable to be cornered, and it’s uncomfortable to watch someone being cornered. I’ve been held hostage after panels by people who “don’t hear” my polite nudging that I have somewhere to be, or in one case, wouldn’t let me go even when a colleague came to take me away to our next scheduled event. Don’t be the guy (or girl) that people need to escape from.

9. Have fun! Don’t attend a convention with a checklist of people to talk to, or you’ll stress about it and forget to enjoy yourself. A convention, and even a panel, never turns out exactly the way you plan, and it’s the parts that deviate from your expectations that usually turn out to be the best and most memorable parts. Go with the flow, have fun, meet who you meet, and remember that you can’t be everywhere at once and you can’t do everything there is to do. Enjoy being where you are, and remember that there’s always the next one to do the things you miss out on.

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World Fantasy Convention

This weekend, I’ll be attending the World Fantasy Convention in San Jose, CA. If you’re going to be there and would like to say, please feel free to drop me a line. A comment or a note through the “contact me” page will get to me, and I’m @gabrielle_h on Twitter.

I’m not currently scheduled for programming, but you’ll be able to catch me at Philippa Ballantine‘s reading at 10:00 on Saturday in the Garden Room.

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Shortcuts to Success

Here’s the only thing you need to know about shortcuts to a successful writing career: There aren’t any.

There are alternatives to the traditional process. Lots of them. But none of them are shortcuts.

Let’s look at a few.

1. It’s who you know.

Connections, as I mentioned in my post on Dealing with Rejection, will open a door for you, but that’s all they’ll do. They won’t walk you through it and they won’t guarantee what will happen on the other side. Networking can absolutely make you in this business. It can open opportunities you wouldn’t have dreamed of… but only if your product is good enough to stand on its own. Someone might take a chance on you as a favor, but not if it’s a losing proposition that might hurt their own reputation. Nothing’s going to happen for you unless you’ve already put the work in, developed your craft, and built the kind of credibility that will make your contacts proud.

Also to consider: Networking opportunities cost money. Even if you can write off your workshop or convention airfare and hotel as a business expense, you’ve still got to have that money on hand to lay out. There are a lot of networking opportunities happening around the world every year and it’s not realistic to go to all of them. You’ve got to pick and choose them carefully. And conventions, when you attend them as a professional, are work. You’ve got to have your networking persona on 24/7, have your pitch always at the ready, and still maintain the charisma and control not to come off as unfriendly or desperate. Then there’s the researching and preparation for your panels and the bookkeeping that follows up on the sales you make. The time you spend at conventions and conferences also needs to be balanced with your day job, your family time, and your writing time.

2. Self-publishing

Self-publishing isn’t a shortcut. Don’t listen to the people who tell you it is. Yes, it’s a shortcut to getting a bound copy of your work, but it’s not a shortcut to success. All you’re doing when you self-publish is trading the long hours and hard work of submitting to agents and publishers with the long hours and hard work of tirelessly marketing and self-promoting. You won’t have any support system to sell and distribute for you, it’ll be all you, all the time. You will have to eat, sleep and breathe book just to break even on your print costs, and even then you’ll be fighting against an enormous handicap. You’ll have a very hard struggle ahead of you to get taken seriously by publishers and booksellers, and your opportunities for distribution will be extremely limited. You’ll be selling from your website and from the trunk of your car, and your most important challenge will be finding creative marketing strategies that make people look beyond the “self-published” label and actually read your writing.

Don’t confuse small press with self-pub. Small presses are still legitimate publishers and their place in the market is growing. To print with a small press, you still have to submit your manuscript, get it accepted, get a contract, and then the publisher prints the book.

Self-publishing is where you go out and pay a printer yourself. There’s no acceptance procedure, just a simple business transaction. You hand over your money and your file, and you get books.  The bias against self-publishing exists because of that lack of acceptance procedure. Self-pub does away with the gatekeepers — the agents, the publishers — who weed out the stuff that’s not up to professional standards. Thus, a lot of the material that’s self-published is of amateur quality and really isn’t ready or suitable to be published at all. That’s not to say that it’s all amateur. It isn’t. But there’s a popular perception that it is. If you’re throwing yourself into that pool, it doesn’t matter how good your book is, the struggle to distinguish yourself is going to be very hard work.

3. Podcasting

Recording a podiobook isn’t a shortcut to success any more than self-publishing is a shortcut to success. These writers aren’t circumventing the hard work that goes into landing a deal with a major publishing house; if anything, they’re working harder. While traditional paths to publishing deals involve sending and keeping track of a lot of mail, creating a professionally polished podcast with top-notch editing and mixing is a much harder and more time-consuming endeavor — even moreso if you’re determined to do a release with a full voice cast and ambient music and sound effects. Doing it for free in hopes of gaining some devoted fans and the ear of a publishing executive is really nothing more than a labor of love for the craft. It requires a lot of skill-learning and a serious investment of time.

A growing number of writers are finding success through podcasting their fiction. The podcasters who produce the high-end podiobooks that earn attention, really earn the attention they receive. They put out excellent, polished books with excellent, polished production values. On the down side, many of them will tell you that the editing and mixing takes up a large portion of their time, and that means that it takes time away from their writing, too. On the up side, fan feedback and praise can be a great boost to balance out the sting of rejection letters while you work on getting your novel noticed by people in high places. Is it a viable avenue to a print publishing deal? Definitely. You can even do it concurrently with the traditional query and submissions route. But it’s not, by any stretch, a shortcut.

—–

The point I’m making here is that, no matter what, your product has to stand up for itself. It has to meet a standard of quality and it has to be something people want to read. There are less-traditional paths toward publication that are open to you, but they’re no less work, they’re only a trade-off in terms of how and when you do the hard work.

You can do the legwork up front and send out hundreds of submissions to get yourself an agent or a publisher, go to a ton of conventions and workshops to make good contacts, or you can put the product out first and do the legwork afterwards in the form of tireless promotion and marketing. One form of work may be easier or more natural for you than another depending on your personal skillset and situation, but the amount of work is still the same.

The success stories that you hear about aren’t fairy tales that prove that shortcuts exist; they are examples of what can happen when top-notch talent and determination meet in the right place at the right time.

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